In that account Uriel is rewarded for his faithfulness by becoming Jesus's guardian angel when he becomes Man. Another apochryphal account holds that it was Uriel who rescued St. John from Herod's massacre of the Innocents and brings him with his mother St. Elizabeth to be reunited with the Holy Family in Egypt. That story is the basis for the painting at left known as the Virgin of the Rocks by Da Vinci. From Wikipedia,
This picture was used in the film The Da Vinci Code for its supposed hidden symbolism. There is no need to remind everyone of that scandalous film and even the Louvre roundly denounced the theory of Dan Brown as "far fetched" and a travesty of art history."According to the standard interpretation of the paintings, they depict the Madonna in the centre ushering John towards Jesus, who is seated with the angel Uriel. Jesus is blessing John, who holds out his hands in a gesture of prayer. In the Louvre version, Uriel points towards John while looking out at the viewer.
Because of the avid angel worship taking place in the early centuries of the Church,
Pope Zachary, at the Council of Rome of 745, intending to clarify the Church's teaching on the subject of angels and curb a tendency toward angel worship, condemned obsession with angelic intervention and angelolatry, but reaffirmed the approval of the practice of the reverence of angels. This synod struck many angels' names from the list of those eligible for veneration in the Church of Rome, including Uriel. Only the reverence of the archangels mentioned in the recognized Catholic canon of scriptures, Michael, Gabriel and Raphael, remained licit.Despite the uncertain historical accuracy of the existence of an archangel Uriel it is still a beautiful painting of Mary, Jesus, and St. John.
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